{"id":720,"date":"2020-08-14T20:39:59","date_gmt":"2020-08-14T20:39:59","guid":{"rendered":"http:\/\/www.bio2arh.org\/?page_id=720"},"modified":"2021-03-17T00:29:30","modified_gmt":"2021-03-17T00:29:30","slug":"aerosonar","status":"publish","type":"page","link":"https:\/\/www.bio2arh.org\/en\/projekti\/aerosonar\/","title":{"rendered":"Aerosonar"},"content":{"rendered":"
\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

AEROSONAR<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Click to learn more about the Aerosonar project.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tSaznaj vi\u0161e RS<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tLearn more EN<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Aerosonar is a spatial audio installation which displays air pollution on a macro level in the micro environment of the exhibition space, at the same time emphasising a human impact on air pollution. The musical composition of the installation allows the air pollution to be experienced largely through the sense of hearing, which is otherwise not the case. Human impact on the installation itself and alternating spatial conditions result in changes in the musical composition, which make visitors aware of their impact.<\/p>

Musical composition is created through the sonification of downtown Belgrade air pollution data, having each selected air pollution parameter correspond to a sound. Visitors\u2019 impact is recorded based on their behaviour in the space of the installation. Each impact is recorded by the movement sensors, and this impact is then translated into a function which modifies the original air pollution com- position. Visitors experience the installation space through a mutual relationship of the air pollution parameters, as well as through their personal relation to the same parameters.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

\u00a0<\/p><\/div>

\u00a0<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t
\"\"<\/figure><\/div>
\"04\"<\/figure><\/div>
\"03\"<\/figure><\/div>
\"01\"<\/figure><\/div>
\"02\"<\/figure><\/div>
\"06a\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\tPrevious<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\tNext<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Aerosonar<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Greek <\/span>\/<\/span>\u0101ero<\/span>\/<\/span> \u201cair\u201d\u00a0<\/span><\/p>

Latin<\/span> \/<\/span>sono<\/span>\/ <\/span>\u201cto make a noise, sound\u201d, \u201cto speak\/utter\u201d, \u201cto emit sound\u201d<\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

dr. Bojan Kenig\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

saradnik u razvoju nau\u010dnog koncepta rada<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"b2\"\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

O granicama izme\u0111u organizama i \u017eivotne sredine<\/span><\/span><\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Ne postoji na\u010din kojim mo\u017eemo bilo koji organizam, sa svim njegovim divnim adaptacijama, odvojiti od spolja\u0161nje sredine \u0107elijskim zidom, ko\u017eom, egzoskeletom ili bilo kojom barijerom i smatrati ga izolovanim.\u00a0<\/span><\/p>

Svaka biljka, \u017eivotinja, bakterija, \u0107elija kvasca ili bilo koji drugi organizam zauzima odre\u0111eni prostor, uzima resurse iz svoje sredine i izbacuje otpadne metaboli\u010dke produkte u tu istu sredinu. Organizmi menjaju i uti\u010du na \u017eivotnu sredinu samim svojim postojanjem. Bilo da su ti uticaji pozitivni ili negativni, oni neminovno oblikuju adaptivne okolnosti tih organizama, ali i drugih vrsta u okru\u017eenju. Organizmi ne samo da odgovaraju na sredinu i uticaje koje susre\u0107u u toj sredini, ve\u0107 menjaju i same te susrete, \u010desto na takav na\u010din da budu povoljniji za njih i u skladu sa njihovim \u017eivotnim funkcijama. Naravno, nekada ti uticaji nisu povoljni, pa \u010dak mogu dovesti do smanjenja adaptivne vrednosti i potencijala odre\u0111enog organizma\/vrste. Zaga\u0111enje vazduha je jedan od uticaja koji pripadnici ljudske vrste imaju na \u017eivotnu sredinu.\u00a0<\/span><\/p>

U ovakvom pogledu na svet, nije va\u017eno ko je u najve\u0107oj meri odgovoran za zaga\u0111enje vazduha, ve\u0107 da je zaga\u0111enje vazduha savremenog doba u velikoj meri posledica aktivnosti pripadnika vrste <\/span>Homo sapiens<\/span><\/i>.\u00a0<\/span><\/p>

Da li se i na koji na\u010din ta aktivnost i takav uticaj mo\u017ee promeniti? Da li je stepen zaga\u0111enja vezan za na\u010din \u017eivota savremenih ljudi, za tehnologiju koju koristimo, ili ne\u0161to drugo? Da li je potrebno da se odreknemo komfora? Da li nam je potrebno sve \u0161to \u017eelimo? Da li moramo da imamo, posedujemo, komuniciramo, budemo prisutni svuda u svakom trenutku? \u010ciji je to problem? Da li su tu u pitanju pojedinci, korporacije, dru\u0161tvo u celini?\u00a0<\/span><\/p>

I na kraju, da li postoje primeri savremenih i visoko funkcionalnih ljudskih zajednica gde nemamo veliki stepen \u0161tetnog* uticaja na \u017eivotnu sredinu? Ne\u0161to na osnovu \u010dega bismo mogli da izvu\u010demo zaklju\u010dak i primere \u201cdobre prakse\u201d.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Marija \u0160umarac
Ana Anastasov\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

dizajnerke zvuka<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"ana\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

O ZVUKU kao izra\u017eajnom sredstvu<\/span><\/span><\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Zvuk kao izra\u017eajno sredstvo je izabran kako bi publika percipirala zaga\u0111enje vazduha u na\u0161oj okolini pomo\u0107u \u010dula sluha. Poznato je da \u017eiva bi\u0107a nikada ne prestaju da slu\u0161aju, \u010dak i tokom spavanja. Mozak kod \u010doveka se oslanja na percepciju gotovo 70% \u010dula vida, dok se ostalih 30% oslanja na ostala \u010dula, te na neki na\u010din nesvesno zanemaruje \u010dulo sluha. Svest u javnosti o uticaju \u010doveka na prirodu je visoka onda kada je to uo\u010dljivo i taj primer imamo sa zaga\u0111enjem vazduha kada je on vidljiv. Me\u0111utim, \u010dim se situacija prividno vrati u \u201enormalu\u201c, odnosno kada\u00a0 zaga\u0111enje nije vidljivo golim okom, \u010dovek ponovo nastavlja sa starim navikama. Na osnovu toga, mo\u017eemo zaklju\u010diti da \u010dovekova svest o zaga\u0111enju nije dugotrajna. Od tog trenutka njemu vi\u0161e ne smeta suv vazduh, saobra\u0107aj i \u0161tetne materije. Posmatraju\u0107i zvu\u010dne pojave, uo\u010di\u0107emo da se, kao i \u017eivotinje, ponekad vrlo lako mo\u017eemo orijentisati i informisati putem zvuka. Ipak, \u010desto se de\u0161ava da tu mogu\u0107nost ne koristimo, te da na zvuk reagujemo onda kada je preglasan ili kada nam neko skrene pa\u017enju. <\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t

O SONIFIKACIJI<\/span><\/span><\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Metod koji koristimo u ovom radu je sonifikacija podataka i ona predstavlja njihovu transformaciju u zvu\u010dni sadr\u017eaj. Sonifikacija ima razli\u010dite funkcije i to naj\u010de\u0161\u0107e u vidu poruke, alarma, upozorenja, a koristi se u istra\u017eivanju i nauci. Me\u0111utim, poslednjih godina sonifikacija podataka ima ulogu i u umetni\u010dkoj praksi. Proces sonifikacije podataka se vr\u0161i putem pisanja programerskog koda gde se svakom podatku zadaju odre\u0111eni parametri zvuka. To zna\u010di da je za svaki podatak odnosno parametar zaga\u0111enja (pm 2,5, CO, O3, NO2 i temperatura) \u201czadat\u201d je odre\u0111eni zvuk. Kako se podaci konstantno menjaju – rastu i opadaju – tako se dobija melodija\/kompozicija. Ovi podaci se sakupljaju softverskim putem iz baze podataka koji se mo\u017ee na\u0107i onlajn. Na osnovu istra\u017eivanja o tome da zvuk itekako uti\u010de na \u010doveka svesno i podsvesno, pomo\u0107u ovakve kompozicije je ideja stvoriti svest posetiocima o tome koliko je zaga\u0111enje vazduha \u0161tetno po nas. <\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

dia Ana Todosijevi\u0107\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

arhitektica i istra\u017eiva\u010dica<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"a2\"\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

O ZVUKU KAO MATERIJALU OD KOGA JE IZGRA\u0110EN PROSTOR<\/span><\/span><\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Tradicionalno prostor je napravljen od odre\u0111enih materijala koji fizi\u010dki odvajaju spolja\u0161nju sredinu od unutra\u0161nje. Me\u0111utim, prostor je tako\u0111e \u201cizgra\u0111en\u201d od materijala koji nisu vidljivi i opipljivi, kao \u0161to je temperatura, energija ili zvuk – materijali koje mo\u017eemo da osetimo drugim \u010dulima. Ono \u0161to je karakteristi\u010dno za ove materijale je da oni nemaju jasnu granicu. Njihova granica nije linija, ve\u0107 gradijent. Tako\u0111e, oni su direktno vezani za ljudsko telo. Ti materijali nam omogu\u0107avaju da do\u017eivimo prostor onako kako ga do\u017eivljavamo – zbog toga u dva prostora istog oblika ne\u0107emo nu\u017eno imati isti do\u017eivljaj, kao \u0161to ne mo\u017eemo imati objektivni do\u017eivljaj jednog prostora, jer nemamo svi iste senzorne sposobnosti. <\/span><\/p>

U na\u0161oj instalaciji, prostor se do\u017eivljava kroz odnose izme\u0111u elemenata – me\u0111usobne odnose izme\u0111u eksponata i odnose izme\u0111u \u010dovekovog tela i eksponata. Dakle, prostor se do\u017eivljava kroz odnos izme\u0111u parametara zaga\u0111enja me\u0111usobno, kao i odnos izme\u0111u \u010doveka i svakog parametra zaga\u0111enja vazduha. Instalacija se ne nalazi u prostoru – instalacija je prostor. Kretanjem kroz prostor posetilac \u201ckomunicira\u201d sa zaga\u0111enjem vazduha. <\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t

O \u010cOVEKU I NJEGOVOM OKRU\u017dENJU<\/span><\/span><\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Zaga\u0111enje vazduha ili bilo koje zaga\u0111enje \u017eivotne sredine ne mo\u017ee se odvojiti od \u010doveka, jer \u010dovek se sam ne mo\u017ee odvojiti od sredine u kojoj se nalazi. Zaga\u0111enje vazduha se ne nalazi u \u017eivotnoj sredini, ono jeste na\u0161a \u017eivotna sredina, jer ne postoji granica izme\u0111u nas i prostora u kome se nalazimo. Ne postoji na\u010din da odvojimo zaga\u0111enje vazduha od nas, jer vazduh di\u0161emo, dakle, fizi\u010dki je deo nas.<\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

AEROSONAR Klikni da sazna\u0161 vi\u0161e informacija o projektu Aerosonar. Saznaj vi\u0161e RS Learn more EN Aerosonar je prostorna audio instalacija koja zaga\u0111enje vazduha na makro nivou prikazuje u mikrookru\u017eenju izlo\u017ebenog […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"yoast_head":"\nAerosonar | Bio2Arh<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bio2arh.org\/en\/projekti\/aerosonar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aerosonar | Bio2Arh\" \/>\n<meta property=\"og:description\" content=\"AEROSONAR Klikni da sazna\u0161 vi\u0161e informacija o projektu Aerosonar. Saznaj vi\u0161e RS Learn more EN Aerosonar je prostorna audio instalacija koja zaga\u0111enje vazduha na makro nivou prikazuje u mikrookru\u017eenju izlo\u017ebenog […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.bio2arh.org\/en\/projekti\/aerosonar\/\" \/>\n<meta property=\"og:site_name\" content=\"Bio2Arh\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/category\/Arts---Humanities-Website\/Bio2Arh-563495847435142\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-17T00:29:30+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/10\/05-1024x683.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/\",\"url\":\"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/\",\"name\":\"Aerosonar | Bio2Arh\",\"isPartOf\":{\"@id\":\"https:\/\/www.bio2arh.org\/#website\"},\"datePublished\":\"2020-08-14T20:39:59+00:00\",\"dateModified\":\"2021-03-17T00:29:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.bio2arh.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Projekti\",\"item\":\"http:\/\/www.bio2arh.org\/en\/projekti\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Aerosonar\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.bio2arh.org\/#website\",\"url\":\"https:\/\/www.bio2arh.org\/\",\"name\":\"Bio2Arh\",\"description\":\"biologija - arhitektura - istra\u017eivanje\",\"publisher\":{\"@id\":\"https:\/\/www.bio2arh.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.bio2arh.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.bio2arh.org\/#organization\",\"name\":\"Bio2Arh\",\"url\":\"https:\/\/www.bio2arh.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.bio2arh.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/04\/b2a.jpeg\",\"contentUrl\":\"https:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/04\/b2a.jpeg\",\"width\":225,\"height\":225,\"caption\":\"Bio2Arh\"},\"image\":{\"@id\":\"https:\/\/www.bio2arh.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/bio2arh\/\",\"https:\/\/www.youtube.com\/channel\/UC_irb16dOt61kDvjPtDToQA\",\"https:\/\/www.facebook.com\/pages\/category\/Arts---Humanities-Website\/Bio2Arh-563495847435142\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Aerosonar | Bio2Arh","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.bio2arh.org\/en\/projekti\/aerosonar\/","og_locale":"en_US","og_type":"article","og_title":"Aerosonar | Bio2Arh","og_description":"AEROSONAR Klikni da sazna\u0161 vi\u0161e informacija o projektu Aerosonar. Saznaj vi\u0161e RS Learn more EN Aerosonar je prostorna audio instalacija koja zaga\u0111enje vazduha na makro nivou prikazuje u mikrookru\u017eenju izlo\u017ebenog […]","og_url":"https:\/\/www.bio2arh.org\/en\/projekti\/aerosonar\/","og_site_name":"Bio2Arh","article_publisher":"https:\/\/www.facebook.com\/pages\/category\/Arts---Humanities-Website\/Bio2Arh-563495847435142\/","article_modified_time":"2021-03-17T00:29:30+00:00","og_image":[{"url":"http:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/10\/05-1024x683.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/","url":"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/","name":"Aerosonar | Bio2Arh","isPartOf":{"@id":"https:\/\/www.bio2arh.org\/#website"},"datePublished":"2020-08-14T20:39:59+00:00","dateModified":"2021-03-17T00:29:30+00:00","breadcrumb":{"@id":"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.bio2arh.org\/projekti\/aerosonar\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.bio2arh.org\/projekti\/aerosonar\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.bio2arh.org\/"},{"@type":"ListItem","position":2,"name":"Projekti","item":"http:\/\/www.bio2arh.org\/en\/projekti\/"},{"@type":"ListItem","position":3,"name":"Aerosonar"}]},{"@type":"WebSite","@id":"https:\/\/www.bio2arh.org\/#website","url":"https:\/\/www.bio2arh.org\/","name":"Bio2Arh","description":"biologija - arhitektura - istra\u017eivanje","publisher":{"@id":"https:\/\/www.bio2arh.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.bio2arh.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.bio2arh.org\/#organization","name":"Bio2Arh","url":"https:\/\/www.bio2arh.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bio2arh.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/04\/b2a.jpeg","contentUrl":"https:\/\/www.bio2arh.org\/wp-content\/uploads\/2020\/04\/b2a.jpeg","width":225,"height":225,"caption":"Bio2Arh"},"image":{"@id":"https:\/\/www.bio2arh.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/bio2arh\/","https:\/\/www.youtube.com\/channel\/UC_irb16dOt61kDvjPtDToQA","https:\/\/www.facebook.com\/pages\/category\/Arts---Humanities-Website\/Bio2Arh-563495847435142\/"]}]}},"_links":{"self":[{"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/pages\/720"}],"collection":[{"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/comments?post=720"}],"version-history":[{"count":40,"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/pages\/720\/revisions"}],"predecessor-version":[{"id":1111,"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/pages\/720\/revisions\/1111"}],"up":[{"embeddable":true,"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/pages\/21"}],"wp:attachment":[{"href":"https:\/\/www.bio2arh.org\/en\/wp-json\/wp\/v2\/media?parent=720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}